The direction, duration and intensity of your gaze has a powerful impact on the persons you interact with. In addition the gaze of others speaks volumes of meaning about what is on their minds. It is even possible to gauge which memories and emotions the other person is accessing by closely monitoring the direction of the their gaze as they speak.
Psychologists Grinder and Bandler have even developed a categorizing technique for interpretation known as the Neurolingustic Program, or NLP. The process is so specific that you can tell whether a person is accessing a memory of something they have seen, something they have heard, something they have smelled or something they have touched.
There are four basic categorizations.
1. If a person is recalling something they have seen, their eyes will move upward.
2. If a person is recalling something they have heard, their eyes will move to the side and their head will tilt as if they are listening.
3. If a person is recalling an emotion or a feeling, their eyes will move down and to the right.
4. If a person is carrying on an internal mental dialogue, their eyes will move down and to the left.
The problem with the system is that the behaviors occurs so fast and in such rapid clusters that they are extremely difficult to detect with the naked eye. But, if you are conducting and interview which is being video taped you can review the tape later and find out what the person is really thinking as opposed to what they are saying.
An awareness of how people process information can provide you with an excellent communication tool.
Another useful technique concerning the eyes has to do with your ability to make connections with the groups of people you speak to. As a presenter I soon learned that if I did not make quick connections with my audience, my effectiveness and the value they were able to gain from my presentations became greatly diminished. As a result I adopted the following gaze procedure for connecting with my audience.
In smaller groups of 25-50 people it is possible to make contact with each individual in the audience on a regular basis. But, in larger groups you are usually separated by some distance and on a podium or stage. This makes regular individual eye contact problematic. But, if you adopt the following procedure you can achieve the same result.
When there are several yards separating you from your audience you should immediately pick out five persons in the audience. Choose one person in the right rear corner, one person in the left rear corner, one person in the right front corner, one person in the left front corner and one person in the very middle of the group. When you look at those persons the twenty people surrounding them will be under the impression that you are making eye contact with them. This builds a sense of intimacy and rapport with the majority of your audience.
Elemental Value Added Truth: Look into the mirror, the face that pins you with it’s double gaze reveals a chastening secret. Diane Ackerman